In 1984 I put down my paintbrushes and picked up soft throwable balls of clay. Working with clay is very “process oriented.” Using stoneware clay, I work from wheel-thrown components. Beyond the throwing – mesmerizing and meditative as that can be – there is the quality of mark making and creation of form. Working with clay for over 30 years, I have a decided interest in the quest for problem solving when making more complex forms. Alongside the creating of interesting clay pieces is the challenge of glazing and firing the work to best advantage. I have enjoyed working in a variety of firing types – oxidation, reduction, and wood fired. The resulting work incorporates references to the landscape and often has gesture and animation with which to intrigue the viewer. Continue reading “Sue Grier”
