David Adler

David Adler
David Adler

I make wall hangings, trivets, and coasters from wood using parquetry technique.  My geometric patterns, quilt patterns, and scrollsaw work can create 3D effects in 2D work.  In my Parquetry art, I use 1/8-inch thick pieces of wood inlaid on a craft-quality ply-back board. Continue reading “David Adler”

Sonia Arnold

Sonia Arnold
Sonia Arnold

I have resided in Brevard, NC, with my husband, Jerry, since 1968.  We have one daughter, Ashli Arnold Crump, who lives in East Flatrock, NC.

From 1968-83, I was a language arts & art teacher.  Prior to turning to designing and making jewelry, I was passionate about two-dimensional art, which evolved into a BFA in art from UNC-Asheville (1985).  In 1990, I took my first silversmithing class and soon thereafter, a wire wrapping class.  I have since gone on to become one of the most sought after wire artists in the area. Continue reading “Sonia Arnold”

Jim Brandon

Jim Brandon

Jim Brandon is a wood artist living in Pisgah Forest, western North Carolina.  This mountainous area is well known for its wide variety of native hardwoods including maple, walnut, oaks, cherry, and many more.  The majority of Jim’s raw material is wood sourced from very local trees that originate from either his property, or within a short drive/hike from his home.  He can usually tell the location and a story about each tree that his work comes from.  There’s not a burl, log, or root-ball that isn’t being eyed as potential raw material for a new project.

Continue reading “Jim Brandon”

Marcia Brennan

Marcia Brennan
Marcia Brennan

My paper mache pieces lean toward humor, whimsy and portraying our local animal neighbors.

I start with an armature of chicken wire, Styrofoam or cardboard boxes and tubes.  Each piece is layered with newspaper, tissue paper and white glue.  After several coats of paint and some attention to the face and eyes, they seem to take on a life of their own, and I’m ready to let them go. Continue reading “Marcia Brennan”

Brenda Cameron

Brenda Cameron
Brenda Cameron

 

My process starts with dyeing yarn and fabrics using several type of dyes, depending on the results I seek.  I may then further enhance the fabric using a variety of surface design techniques.  I’m continually experimenting with new processes.  My fibers include textured silk, cotton, rayon, wool, mohair, and alpaca.  I collect vintage fabrics and love to incorporate them into my weavings for dynamic effects. Continue reading “Brenda Cameron”

Jack Christfield

Jack Christfield
Jack Christfield

Combining light, color, line, texture, form and depth into a compelling image that tells a story is my goal in photography.  When selecting a print medium for the finished image such as canvas, aluminum or various photographic papers, I try to choose the one that best complements the subject.

Although I don’t specialize in any type of photography, my recurrent themes are generally nature, landscape, architecture  and travel.  If viewing an image of mine makes you want to visit there yourself, or if it gives you a feeling of serenity, wonder, beauty or mystery, I consider that a success.

Originally from Wilmington, Delaware, I have loved photography my entire life, being inspired by Ansel Adams and other masters.  Aside from photography and darkroom courses while in college, I am self-taught through a lifelong experience in film, print and digital photography.  Now retired from corporate life, I spend more time on the practice and mentoring aspects of photography.

I do presentations, offer individual coaching on the art and craft of photography, and am active in the monthly programs and speakers at the Land of Waterfalls Camera Club here in Brevard, NC.

My work has been published in Our State North Carolina magazine, Blue Ridge Country magazine, and The Blue Ridge Travel Guide, and has been exhibited at Bluewood Gallery, Transylvania Community Arts Council and Number 7 Arts in Brevard, NC, the Turchin Center for the Visual Arts at Appalachian State in Boone, NC, and at The Biltmore in Asheville, NC.

Jack Christfield
828.577.3426
jack@jackchristfield.com
www.jackchristfield.com

Peter Chumbley

Peter Chumbley
Peter Chumbley

My work is a simple attempt to spread the word that the animals around us are a special gift.  I do this through a combination of imagination, bold color and humor.  We must never forget that “all animals draw breath from the same source as we do.”  They are mystical, spiritual, and as Jonathan Balcome states: “Animals take pauses.  Their worlds, like ours, have stretches of tranquility, moments of pleasure and eruptions of joy.”  Enjoy those animals around us, care for them; they will give us great peace and happiness.  It is my hope that my work will bring a smile to your face and joy to your heart.

My wife, Cathy, and I both grew up in Miami, FL.  We then moved to Greensboro, NC, where I was an art teacher for 25 years.  We raised two wonderful daughters who grew up surrounded by dogs and cats, along with horses, turtles, squirrels, chipmunks, birds, fish and more.  Although we’ve spent many special times together, the most memorable were the trips when we spent time volunteering with animals; those had a lasting effect on all of us.  This can be seen in my art and in one of our daughter’s career path, which she has devoted to animal rescue.

Cathy and I now live in the beautiful town of Brevard, NC. where in my sunlit art room I paint almost daily.  In addition to Number 7 Arts Gallery, my work can also be found in Seven Sisters Gallery in Black Mountain, NC, and in the Christopher Park Gallery in Greenville, SC.

Peter Chumbley
336.253.7248
peterchumbleyart@gmail.com

Laurie Davis

Laurie Davis

Watercolor has always been my first love when it comes to art.

It is impulsive and strategic at the exact same moment. The juxtaposition of wet and dry areas on the paper provides the first challenge. It is about control or lack thereof… leaving white space… painting in the negative… keeping it loose or buttoned up and tight… The glazing of transparent color over color to see a painting emerge and start to glow is very satisfying.  I have worked in a variety of mediums, but watercolor continues to be my constant… my playful companion on a quiet afternoon.
I appreciate the child-like innocence of color, movement, and subject matter. Simplicity in subject matter is key for me. I enjoy strong color combinations with pattern and design, a simple subject with an imagined back story.  I am inspired by the longing for a simpler time… but with polka dots and a stripe or two… In the early years, I took workshops in Taos, Santa Fe, Houston, and Fort Worth. I was the only one in class with a polka dot landscape. I like to keep it interesting.
For years, I taught seasonal watercolor workshops where we painted the springtime Texas wildflowers, autumn and holiday card designs.  At that point, my home base gallery was a unique space, a Floral Design and Art gallery on the town square. My large scale florals complimented a very talented artist and floral designer and we worked well together selling flowers, both on paper and fresh!  When the gallery moved to New Mexico, my sunflowers went along and sold very well. Thus, I still paint large florals on occasion. The “Ladies Who Lunch” watercolors were first inspired by the ladies who dined at a local tearoom in town and then attended the Opera House for theatre performances on a Sunday afternoon. I’ve painted these ladies ever since, usually with a cat on their head or a dog in their lap.  In the past eight years, I’ve had a card line, “Brush & Twig” and worked on those designs and sold thousands of cards through shows, shops and my website. The pandemic cancelled art shows so we began to plan our retirement and the likely move from Texas to Western North Carolina.
Laurie Davis
817.219.0594

Chuck Evans

Chuck Evans
Chuck Evans

Much of my inspiration is taken from woodworkers of the “mid century modern” period, such as George Nakashima and Sam Maloof.  I use natural oils and varnishes as finishes, and do not stain my work so the natural character of the wood is preserved. Continue reading “Chuck Evans”